Greenhouse Hour

Create a candid documentary photograph, 9:16 vertical. She stands among the ferns with one hand resting on a terracotta pot, turned three-quarter toward camera with a soft unguarded smile, dawn light and steam behind her, glass ribs well to the side of her head. WARDROBE: a soft ecru linen midi dress with a loose open-knit oatmeal cardigan slipping off one shoulder, bare feet, hair loose, no jewellery. SETTING: a Victorian glasshouse at dawn - white-painted iron ribs and misted glass, condensation beading and running, banks of ferns and potted citrus, terracotta pots on gravel, low gold sun cutting through steam. the subject is Gianna - her face must match the reference photograph EXACTLY as ground truth: same bone structure, same straight-bridged nose, same eye spacing, same lip shape, same soft jawline. Almond-shaped pale aqua / blue-grey eyes (never hazel, never brown), feathered warm-brown naturally arched brows, warm tanned skin with faint freckles, full nude-pink lips with a slightly fuller lower lip, oval face with defined cheekbones - no identity drift. HAIR LENGTH IS NON-NEGOTIABLE: her pastel rose-pink hair is VERY LONG - loose beachy waves falling well past her collarbone to mid-chest. NOT a bob, NOT a crop, NOT shoulder-length. TWO reference images are supplied. The FIRST is the canonical identity reference. The SECOND is the definitive rendering of this exact woman - match the SECOND reference face precisely. Only clothing and surroundings change

Create a candid documentary photograph, 9:16 vertical. Extreme close-up three-quarter, a fine mist of condensation on her skin and in her hair, low gold light rimming her cheekbone and jaw, eyes half-closed against the sun. Face fully unobstructed. WARDROBE: a soft ecru linen midi dress with a loose open-knit oatmeal cardigan slipping off one shoulder, bare feet, hair loose, no jewellery. SETTING: a Victorian glasshouse at dawn - white-painted iron ribs and misted glass, condensation beading and running, banks of ferns and potted citrus, terracotta pots on gravel, low gold sun cutting through steam. the subject is Gianna - her face must match the reference photograph EXACTLY as ground truth: same bone structure, same straight-bridged nose, same eye spacing, same lip shape, same soft jawline. Almond-shaped pale aqua / blue-grey eyes (never hazel, never brown), feathered warm-brown naturally arched brows, warm tanned skin with faint freckles, full nude-pink lips with a slightly fuller lower lip, oval face with defined cheekbones - no identity drift. HAIR LENGTH IS NON-NEGOTIABLE: her pastel rose-pink hair is VERY LONG - loose beachy waves falling well past her collarbone to mid-chest. NOT a bob, NOT a crop, NOT shoulder-length. TWO reference images are supplied. The FIRST is the canonical identity reference. The SECOND is the definitive rendering of this exact woman - match the SECOND reference face precisely. Only clothing and surroundings change

Create a candid documentary photograph, 9:16 vertical. Wide environmental shot of the whole glasshouse interior, iron arches receding, she is small and centred on the gravel path between banks of green, sun flaring through the misted glass. WARDROBE: a soft ecru linen midi dress with a loose open-knit oatmeal cardigan slipping off one shoulder, bare feet, hair loose, no jewellery. SETTING: a Victorian glasshouse at dawn - white-painted iron ribs and misted glass, condensation beading and running, banks of ferns and potted citrus, terracotta pots on gravel, low gold sun cutting through steam. the subject is Gianna - her face must match the reference photograph EXACTLY as ground truth: same bone structure, same straight-bridged nose, same eye spacing, same lip shape, same soft jawline. Almond-shaped pale aqua / blue-grey eyes (never hazel, never brown), feathered warm-brown naturally arched brows, warm tanned skin with faint freckles, full nude-pink lips with a slightly fuller lower lip, oval face with defined cheekbones - no identity drift. HAIR LENGTH IS NON-NEGOTIABLE: her pastel rose-pink hair is VERY LONG - loose beachy waves falling well past her collarbone to mid-chest. NOT a bob, NOT a crop, NOT shoulder-length. TWO reference images are supplied. The FIRST is the canonical identity reference. The SECOND is the definitive rendering of this exact woman - match the SECOND reference face precisely. Only clothing and surroundings change

Create a candid documentary photograph, 9:16 vertical. Low candid angle: she crouches to lift a small potted citrus tree with both hands, laughing at something off camera, hair falling forward over one shoulder, gravel and terracotta in the foreground. WARDROBE: a soft ecru linen midi dress with a loose open-knit oatmeal cardigan slipping off one shoulder, bare feet, hair loose, no jewellery. SETTING: a Victorian glasshouse at dawn - white-painted iron ribs and misted glass, condensation beading and running, banks of ferns and potted citrus, terracotta pots on gravel, low gold sun cutting through steam. the subject is Gianna - her face must match the reference photograph EXACTLY as ground truth: same bone structure, same straight-bridged nose, same eye spacing, same lip shape, same soft jawline. Almond-shaped pale aqua / blue-grey eyes (never hazel, never brown), feathered warm-brown naturally arched brows, warm tanned skin with faint freckles, full nude-pink lips with a slightly fuller lower lip, oval face with defined cheekbones - no identity drift. HAIR LENGTH IS NON-NEGOTIABLE: her pastel rose-pink hair is VERY LONG - loose beachy waves falling well past her collarbone to mid-chest. NOT a bob, NOT a crop, NOT shoulder-length. TWO reference images are supplied. The FIRST is the canonical identity reference. The SECOND is the definitive rendering of this exact woman - match the SECOND reference face precisely. Only clothing and surroundings change

Create a candid documentary photograph, 9:16 vertical. Tight detail of her hands cupping a fern frond beaded with condensation, water on her fingers, her face soft-focus and clearly visible in the upper frame behind her hands, never covered. WARDROBE: a soft ecru linen midi dress with a loose open-knit oatmeal cardigan slipping off one shoulder, bare feet, hair loose, no jewellery. SETTING: a Victorian glasshouse at dawn - white-painted iron ribs and misted glass, condensation beading and running, banks of ferns and potted citrus, terracotta pots on gravel, low gold sun cutting through steam. the subject is Gianna - her face must match the reference photograph EXACTLY as ground truth: same bone structure, same straight-bridged nose, same eye spacing, same lip shape, same soft jawline. Almond-shaped pale aqua / blue-grey eyes (never hazel, never brown), feathered warm-brown naturally arched brows, warm tanned skin with faint freckles, full nude-pink lips with a slightly fuller lower lip, oval face with defined cheekbones - no identity drift. HAIR LENGTH IS NON-NEGOTIABLE: her pastel rose-pink hair is VERY LONG - loose beachy waves falling well past her collarbone to mid-chest. NOT a bob, NOT a crop, NOT shoulder-length. TWO reference images are supplied. The FIRST is the canonical identity reference. The SECOND is the definitive rendering of this exact woman - match the SECOND reference face precisely. Only clothing and surroundings change